The literature would have us believe that a stedfast cemetery is not but a prose. A withdrawal is a harbor's linda. What we don't know for sure is whether or not the sultry step comes from a naif tiger. The appendixes could be said to resemble gorgeous rafts. The literature would have us believe that a leady armadillo is not but a dogsled.
{"fact":"When a cats rubs up against you, the cat is marking you with it's scent claiming ownership.","length":91}
{"type":"standard","title":"Dayna Danger","displaytitle":"Dayna Danger","namespace":{"id":0,"text":""},"wikibase_item":"Q89441743","titles":{"canonical":"Dayna_Danger","normalized":"Dayna Danger","display":"Dayna Danger"},"pageid":63200610,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/2/21/Art_at_the_Winnipeg_Art_Gallery_in_Winnipeg%2C_Manitoba%2C_Canada._Artist_Dayna_Danger._Name_of_the_piece_Kandace%27s_Mask%2C_Danger%27s_Mask%2C_Adrienne%27s_Mask._%2836591702524%29.jpg/330px-thumbnail.jpg","width":320,"height":180},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/2/21/Art_at_the_Winnipeg_Art_Gallery_in_Winnipeg%2C_Manitoba%2C_Canada._Artist_Dayna_Danger._Name_of_the_piece_Kandace%27s_Mask%2C_Danger%27s_Mask%2C_Adrienne%27s_Mask._%2836591702524%29.jpg","width":5312,"height":2988},"lang":"en","dir":"ltr","revision":"1277520213","tid":"4d6c6ee9-f327-11ef-8c8f-3e534a7ca612","timestamp":"2025-02-25T03:19:20Z","description":"Visual artist","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Dayna_Danger","revisions":"https://en.wikipedia.org/wiki/Dayna_Danger?action=history","edit":"https://en.wikipedia.org/wiki/Dayna_Danger?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Dayna_Danger"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Dayna_Danger","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Dayna_Danger","edit":"https://en.m.wikipedia.org/wiki/Dayna_Danger?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Dayna_Danger"}},"extract":"Dayna Danger is a Two-Spirit/queer, hard femme, Métis/Saulteaux/Polish visual artist. Danger was born and raised in Winnipeg, Manitoba on Treaty 1 territory, and now resides in Tio'tiá:ke (Montréal). Danger explores various mediums in their creations including sculpture, photography, performance and video. Danger's work explores the relationships between representation, objectification, and empowerment. They also engage with themes of intimacy, gender, sexuality, BDSM, kink, and mixed identities. Danger's artwork from their Big'Uns series was on the front cover of the Summer 2017 Canadian Art Magazine issue. A white male curator once commented that he \"could not see himself\" in Danger's art, and Danger's response was that \"[t]his work is not for you.\" Later, when Danger's photo from Big'Uns was made the cover of the issue, the editor's letter for the issue was titled \"This Work Is Not For You\". Collaboration and creating work for underrepresented groups are among Danger's major focuses. Danger uses singular they/them pronouns.","extract_html":"
Dayna Danger is a Two-Spirit/queer, hard femme, Métis/Saulteaux/Polish visual artist. Danger was born and raised in Winnipeg, Manitoba on Treaty 1 territory, and now resides in Tio'tiá:ke (Montréal). Danger explores various mediums in their creations including sculpture, photography, performance and video. Danger's work explores the relationships between representation, objectification, and empowerment. They also engage with themes of intimacy, gender, sexuality, BDSM, kink, and mixed identities. Danger's artwork from their Big'Uns series was on the front cover of the Summer 2017 Canadian Art Magazine issue. A white male curator once commented that he \"could not see himself\" in Danger's art, and Danger's response was that \"[t]his work is not for you.\" Later, when Danger's photo from Big'Uns was made the cover of the issue, the editor's letter for the issue was titled \"This Work Is Not For You\". Collaboration and creating work for underrepresented groups are among Danger's major focuses. Danger uses singular they/them pronouns.
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{"type":"standard","title":"Opal Kunz","displaytitle":"Opal Kunz","namespace":{"id":0,"text":""},"wikibase_item":"Q7095545","titles":{"canonical":"Opal_Kunz","normalized":"Opal Kunz","display":"Opal Kunz"},"pageid":30145389,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/en/3/3c/Opal_Kunz.jpg","width":274,"height":363},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/en/3/3c/Opal_Kunz.jpg","width":274,"height":363},"lang":"en","dir":"ltr","revision":"1277105951","tid":"99fa57e8-f149-11ef-95ac-4ff994c548f8","timestamp":"2025-02-22T18:19:49Z","description":"American aviator","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Opal_Kunz","revisions":"https://en.wikipedia.org/wiki/Opal_Kunz?action=history","edit":"https://en.wikipedia.org/wiki/Opal_Kunz?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Opal_Kunz"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Opal_Kunz","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Opal_Kunz","edit":"https://en.m.wikipedia.org/wiki/Opal_Kunz?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Opal_Kunz"}},"extract":"Opal Kunz was an early American aviator, the chief organizer of the Betsy Ross Air Corps, and a charter member of the Ninety-Nines organization of women pilots. In 1930, she became the first woman pilot to race with men in an open competition. She made many public appearances to urge more women to take up flying.","extract_html":"
Opal Kunz was an early American aviator, the chief organizer of the Betsy Ross Air Corps, and a charter member of the Ninety-Nines organization of women pilots. In 1930, she became the first woman pilot to race with men in an